CARA'S TIPS
Music · Lesson 8

Staff and solfa, transposition, transposing instruments, Italian terms, signs and ornaments

JAMBWAECNECO

What the syllabus asks

JAMB: JAMB Music Section A 7–8 (simple musical terms, signs and abbreviations; transcription staff↔tonic solfa; transposition in treble and bass staves ≤2♯/2♭). WAEC/NECO Theory 1(A)(g)–(i): transcription (staff into solfa and vice versa); transposition including writing for transposing instruments; musical terms, signs, ornaments and abbreviations.

WAEC: JAMB Music Section A 7–8 (simple musical terms, signs and abbreviations; transcription staff↔tonic solfa; transposition in treble and bass staves ≤2♯/2♭). WAEC/NECO Theory 1(A)(g)–(i): transcription (staff into solfa and vice versa); transposition including writing for transposing instruments; musical terms, signs, ornaments and abbreviations.

NECO: JAMB Music Section A 7–8 (simple musical terms, signs and abbreviations; transcription staff↔tonic solfa; transposition in treble and bass staves ≤2♯/2♭). WAEC/NECO Theory 1(A)(g)–(i): transcription (staff into solfa and vice versa); transposition including writing for transposing instruments; musical terms, signs, ornaments and abbreviations.

What you will learn

Key points

Start here: Transcription: staff notation and tonic solfa

In Nigeria two notations live side by side: staff notation, used in printed classical scores and exams, and tonic solfa, used in countless church, school and choir song sheets. JAMB asks you to transcribe from staff into solfa and back; WAEC lists “transcription (staff notation into solfa and vice versa)”.

Tonic solfa uses movable doh: doh (d) is always the tonic of the major key. The syllables are d r m f s l t, with the octave d′. Higher octaves take a mark above or after (d′ r′), lower octaves a mark below or after (s₁ l₁ t₁). Chromatic notes change their vowel: raised notes end in -e (de, re, fe, se, le) and lowered notes in -a or -aw (ta for flattened te, ma for flattened me, ra, la). The most common are fe (sharpened fah, the leading note of the dominant key) and ta (flattened te, the subdominant of the subdominant key). In minor keys, most Nigerian choirs use lah-mode: the minor tonic is lah, and the raised leading note is se.

Staff to solfa: method

  1. Find the key; doh is the tonic of the major key (for a minor key, lah is the tonic).
  2. Name each note by its scale degree; mark octave changes.
  3. Show rhythm with solfa rhythm signs: a bar line |, a colon : before each beat, a full stop . dividing a beat in half, a comma , dividing a half, and a dash – for a held note.
Staff to solfa in G major (doh = G)♯sddrmdls
Worked example: Staff to solfa. Transcribe into solfa (pitch only): in D major, the notes A, D, F♯, E, D, B, A.
Solution. Doh = D. A = s₁ (below doh), D = d, F♯ = m, E = r, D = d, B = l₁, A = s₁. Answer: s₁ d m r d l₁ s₁.
Worked example: Solfa in a minor key. Transcribe into lah-mode solfa: in A minor, the notes A, C, E, G♯, A.
Solution. A minor is the relative of C major, so doh = C and lah = A. The A below middle C’s doh lies below doh, so it is written l₁; then C = d, E = m, G♯ = se (raised soh) and the upper A = l. Answer: l₁ d m se l.

Many Nigerian choir books print the key at the top as “Doh is G” or “Key G”, and minor-key songs as “Lah is E” or “Key E minor (doh is G)”. Always read this line before transcribing.

Worked example: 8.13 Staff to solfa in a minor key. Transcribe A–B–C–D–E–G♯–A (A minor) into tonic solfa (lah-mode).
Solution. In the lah-based minor, A = l, B = t, C = d, D = r, E = m, G♯ = se, A = l. So: l, t, d r m se l (with octave marks as needed). The raised 7th of the minor is “se” (from soh). In doh-based minor systems the same tune would read d r ma f s ti d; ask your teacher which system your board’s past papers use (Nigerian schools mostly use lah-mode).

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Practice questions

1. In lah-mode tonic solfa, the raised 7th of the minor scale is
  1. se
  2. te
  3. fe
  4. ta
Show answer

A: se
From soh: s → se.

2. In C major, the note G is sung as
  1. fah
  2. lah
  3. ray
  4. soh
Show answer

D: soh
d r m f s l t.

3. Transposing G–C–F♯–G up a major 2nd gives
  1. A♭–D♭–G–A♭
  2. B–E–A♯–B
  3. A–D–G♯–A
  4. A–D–G–A
Show answer

C: A–D–G♯–A
Each note up a tone.

4. A song moved from F major down to D major moves down a
  1. perfect 4th
  2. minor 3rd
  3. major 3rd
  4. major 2nd
Show answer

B: minor 3rd
F → D.

5. A B♭ clarinet sounds
  1. a major 2nd lower than written
  2. a major 2nd higher than written
  3. an octave lower
  4. a minor 3rd lower
Show answer

A: a major 2nd lower than written
So its parts are written a tone higher.

Key words

Tonic solfa
Notation using d r m f s l t.
Movable doh
Doh is always the tonic of the major key.
Transcription
Rewriting music in another notation.
Transposition
Rewriting music at a different pitch.
Concert pitch
The pitch actually heard.
Transposing instrument
Instrument that sounds at a different pitch from what is written.
Allegro
Quick, lively.
Andante
At a walking pace.
Ritardando
Gradually slower.
Crescendo
Gradually louder.
Staccato
Short and detached.
Fermata
Pause sign: hold longer.
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